Friday, September 30, 2011

Local Band Attributes Sound To Chicago Blues Past

https://www.facebook.com/photo.php?fbid=10150706364725066&set=a.10150252767120066.534077.96485705065&type=1&theater


Looming sweat dripping off the faces of passers-by in the LandShark Beer Garden were breezily welcomed by the slick, smooth, and sexy music from local Chicago band Train Company.  As the audience fills in the garden to hear more of what lured them in, there was no want or need for conversations in between sets.  The audience remained seated and silent while they sipped their lemonades and Landshark lagers, and tapped their walking shoes to the beat of the smoother than butter vocals, happy drums and blue-sy contrast of a saxophone. 
In 2007, an aspiring singer and songwriter named John Zozzaro attended a jazz session at Northern Illinois University and quickly noticed the stand-out saxophone player, Mark Alletag’s musical talent.  Later, the two had drinks and conversations for their love of music, which soon grew into idea concepts for a new band.  Bass player Mike DeWitte, drummer Rob Lejman, and earlier this year pianist Samuel Wyatt completed the group soon after and formed the band, Train Company.  The four immediately found solace in each other’s taste in the Blues and wanted to show a respectful nod to it’s past within their music.

“Our music is deeply rooted in tradition,” says Mike DeWitte.  “We believe in the philosophy that if you don't know where you came from, you're not going anywhere.”

http://www.youtube.com/watch?v=xlc3uwdIh10&feature=related

And the era they pay respects to collaboratively in both their 2009 “Train Company” and 2010 “Change EP” albums bleed heavily around the realm of the sixties.  With every chord played on the songs such as “Forest” or “Do You Really Want To Know”, the band electrifies its honored past with every note and melody strung through.  Though Train Company doesn’t draw their inspiration from one band in particular, they appreciate the classic feel good music attributing their ability to cross age-gaps in musical taste.

There is something to be said about a band now-a-days capturing such a diverse age group.”  Said John Zozzaro in a recent interview for Facebook.com.  “Too many (groups) are wrapped up in the media or preconceptions, so they limit or confine their potential to whatever someone else portrays them as. We need to bring back playing with soul, and we need to bring back collaboration. The best times in music were when all that was possible.”
Critics have complimented Train Company on creating a fresh take on Blues music.  The Traveling Yeti says they are “clean and crisp musical abilities combin(ing) elements of blues and rock and roll that keep up with the traditions of Clapton and Stevie Ray Vaughan.”  Terrance Flamm, from the Illinois Entertainer says the band has a “nostalgic feel to the melodic love songs that brings to mind smoke-filled lounges in the early 1960s.”

http://www.youtube.com/watch?v=3zpD3cvbclU

And though the band has established on to their resume as opener’s for national acts such as Blues Traveler and the Counting Crows this year, Manager Joe Zozzaro finds simple pleasures in the bands success.    
One of the rewarding parts for me comes when the band is booked at a Festival or Venue and the crowd of people there, who may have never heard Train Company's music before, reacts positively to what they are hearing.  I am continually amazed at the large demographic of those who really like our music.”
So what’s next for Train Company besides playing local gigs year round and creating new yet old sound tracks for people of all ages?
“I believe Train Company will continue to write music that demonstrates their opinions on how they want their sound to evolve,” says Joe.  “While paying homage to those artists who have inspired them.”

http://www.youtube.com/watch?v=aNfJb9eTZ9s

Friday, September 23, 2011

"Wicked" Cast Celebrates 3rd Anniversary in Chicago


Chicago Tribune helped showcase "Wicked"'s 3rd anniversary party in Chicago!


Idina Menzel Wins Best Actress!

Idina Menzel, who played the original role of "Elphaba" in "Wicked", wins the 2004 Tony for best actress!

The original witches at the 2004 Tony's

Idina Menzel (Elphaba) and Kristin Chenoweth's (Glinda) performance of the hit song "Defying Gravity" at the 2004 Tony awards.

"Wicked" in Japan!

POP-U-LAR!!

Though the song "Defying Gravity" has helped Idina Menzel win her Tony for best actress...my favorite song of the entire musical is "Popular" sung here by Kristin Chenoweth, the original "Glinda".

My Friend Rhandi's trip to Wicked!

My high school classmate recently moved to New York for school, and wanted to share her "Wicked" pictures!


My trip to see Wicked!

My girlfriends and I took a trip to New York last October, and one of our many to-do's on our to-do list was to see "Wicked!  Here are some pictures of us as well as a sample video (I did NOT take this video, found it on youtube) of what we saw that night.  We were lucky to have the amazing Mandy Gonzalez (Elphaba) and Katie Rose Clarke (Glinda) perform for us, whom we believe to have played the best witches ever!

On our way to see "Wicked"!




We're here!

The stage before the magic begins!

"Wicked" Success Across the Globe


Maybe it’s because she’s green.  Maybe it’s the men in leotard pants.  Or maybe it’s the house that drops upon the witch’s sister (most people love to see that)…again.

Unless you were the sister under the house, you are quite familiar with the hit Broadway show “Wicked”.  A magical, dark yet heart-warming musical about the “untold” story of the Wicked Witch from the West, drawing attention from people all across the globe and are expanding to those who cannot come to it themselves.

No one quite knows the international success behind the hit Broadway show “Wicked” including producer David Stone, "I did have a sense that it would work, but that it would be as successful as it is, not in a million years."  With the original show performing 3,259 shows to date as well as celebrating its eighth anniversary this October 30th, making “Wicked” the 14th longest running Broadway show in history, one can wonder how anybody would predict the success in numbers and consistent following.

Gregory Maguire, the original witchery writing author of the book “Wicked:  The Life and Times of the Wicked Witch of the West”, spoke with CNN about how he didn’t notice the overall hype for the show, until he saw Elphaba, the Wicked Witch of the West, step out on stage during the opening night in San Francisco.

“Idina Menzel (Elphaba) comes out from backstage, green skin, carrying a carpetbag, she hasn’t spoken, hasn’t sung a word yet, and the audience of 1,700 people go wild in applause for her and I thought to myself…this is gonna work!”  Says Maguire laughing, “They love her, and they didn’t even know she could sing yet but they’re so on-her-side.”

Stephen Schwartz, the lyricist, composer, and now ambassador for the musical, “Wicked”, has been traveling the world to various countries to help with productions on the show.  Japan, Canada, Australia, Germany, Denmark, Finland, and soon the Netherlands are amongst the countries welcoming “Wicked” with open arms.  

Some critics have had mixed reviews about the play, calling the music “largely generic” or the dislike in Glinda’s (the Good Witch of the North) overshadowing personality when placed with Elphaba.  However Chris Jones, a theater critic for the Chicago Tribune, sums up the overall success of the show amongst all boundaries and cultures:

“I think that we all feel like we are either the blonde girl…misunderstood.  Or the green girl…rejected.  ‘Wicked’ found an audience that could totally identify with its two main characters who were on stage all night.  And thus they were willing to come back and see it again and again.”

Followers of the book as well as those who’ve seen the play, may find some discrepancies in the ending (will not spoil it, so keep reading) but Gregory Maguire doesn’t mind for the message has the same meaning in the story as it does in the play, attributing to the international message that spans across all languages, and that is to “do good now.  Do the best that you can and do no harm now because you may not have a chance to make it up.”